Performed on the Spielsachen setup, centered around a Doepfer Monsterbase A-100 system and using analogue components exclusively, the album is also a playground of what you might end up with when playing with pattern sequencers, random generators and a big bunch of synth building blocks.

There's one note played with about twelve oscillators for Eskultur and similarily ambient textures for nagelalt, this time with lots of Source of Uncertainty action. Both Requirements Engineering for Proctologists and Irgendwas mit Paradox have analogue step sequencer run their course while knobs are twisted. There's an almost cheesy synth-pop vibe for Malchus, and beatless Hindemith-acid for the long Taxonomieproblem. The album ends in a odd meters and a madman's nod to MPB in Ein Blueswaffenstillstand.

The production approach was usually composition - patch assembly - recording to twotrack (although steps one and two got swapped sometimes), and the essence of beauty was sometimes distilled from multiple tracks. As an example, here's a recording of a single unprocessed "Taxonomieproblem" take.