Releases

  • Riemann’s World

    Aleatoric and algorithmic composition. Exclusively. And modular synths.

    Riemann’s World

  • Vektormenschen

    A proper Spielsachen album, covering the time between Christmas 2019 and Epiphany 2021.

    Vektormenschen

  • A House with two Rooms

    2020 was the „next year“ that straschill kept talking about for the release of the last MSSS album. Recordings from a week of going all-out gear-wise and streaming all of that.

    A House with two Rooms

  • Würm Bank

    The first proper modular synth album, „Würm Bank“ reveres today’s hero of the modular world, Dieter Doepfer. As part of the RPM challenge.

    Würm Bank

  • grummelig

    Noise gets explored. Bass also gets explored. Aggressive Ambient again.

    grummelig

  • Neue Sachen aus dem Notenbüchlein für coole Instrumente

    A nod to a pivotal composition from 1992. There is a lot of found sound. And very wintery vibes. And it was part of the RPM challenge.

    Neue Sachen aus dem Notenbüchlein für coole Instrumente

  • Erlanger Programm

    The „composed era“ at its best. Non-differentiable geometric structures in the music, lots of synths, and the usual stylistic eclecticism.

    Erlanger Programm

  • oscillator theory

    Electronic sounds. And serial composition.

    oscillator theory

  • Surreal Spaces

    The only MSSS release to focus on one specific session.

    Surreal Spaces

  • Eclectic Blah

    Long after the group Eclectic Blah had folded, finally a recording of their biggest misses.

    Eclectic Blah

  • Rückwärtsfließpreßverfahren

    Rehearsed and recorded during a workshop with an impromptu ensemble, the second #secretalbum already changes pace in the series.

    Rückwärtsfließpreßverfahren

  • verschluckbare Kleinteile

    Through-composed music. And no track longer than 90 seconds. That’s the new standard called #secretalbum. And this is the first release.

    verschluckbare Kleinteile

  • Akustik Kies: „Reflexiv Hören“

    The second part of this MSSS acoustic piano double album brings back the effects and loops tombfoolery.

    Akustik Kies: „Reflexiv Hören“

  • Akustik Kies: „Transitiv Sehen“

    After years of electronics, lots of instruments, and lots of effects, this is just a solo acoustic piano. And the first part of a MSSS double album.

    Akustik Kies: „Transitiv Sehen“

  • The MoinSound Studio Sessions (Album)

    There was no way the bi-weekly live performances could not lead to an album. Or several albums, among which this one is the first.

    The MoinSound Studio Sessions (Album)

  • wie groß ist die luft?

    Live recordings from the trombone-plus-effects-centric 2008 World Tour. A favourite of the artist.

    wie groß ist die luft?

  • Weird Specialist

    A collection of improvised solo recordings from 2004 to 2007. Not a „Best of“, rather a „Most Diverse of“.

    Weird Specialist

  • kybermusik: Quelqes Papiers D’Abord

    kybermusik was an early form of realtime internet-based musicmaking, designed and implemented by straschill. This is a collection of the most fun collaboration in this series up to 2007.

    kybermusik: Quelqes Papiers D’Abord

  • Neinnein auf dem kleinen Weg

    An impromptu live concert in a fancy restaurant at Lago Di Garda. Including blasts from the past and looks towards the future.

    Neinnein auf dem kleinen Weg

  • Dem Andenken eines Engels

    für Antje.

    Dem Andenken eines Engels

  • SAUBER! Das Geheimnis der Geschwindigkeit

    Retuning the bass guitar to span five octaves, putting more processing power into the rack, sticking with the radical free improvisation approach – and this is what happens: the extramusical narrative becomes more Dada.

    SAUBER! Das Geheimnis der Geschwindigkeit

  • groxis tafelbilder

    The first in a long line of Radical Free Improvisation albums. „The artist“ arrived at a vernissage and brought a big rack of gear, three wind instruments, a big bass guitar, and came up with…ideas.

    groxis tafelbilder

  • The Cosmo Sessions

    The (alternate) soundtrack to a pulp science fiction novel by Andreas Winterer. Software instruments make an appearance. As do progressive rock references. And Jimi.

    The Cosmo Sessions

  • Sauflieder Band 1: „A Blessing of Beers“

    Following on the JANUS recording sessions, this is the first foray into realtime loops. And strating what would dominate straschill’s musical output throughout the 00’s.

    Sauflieder Band 1: „A Blessing of Beers“

  • JANUS

    The first big production. The first with dozens of collaborators. The first with a DAW. And after a five-year hiatus since the last release, it must be good, right? Still an artist’s favourite.

    JANUS

  • Der KultNET Sampler Vol.I

    Der KultNET Sampler Vol.I was a sampler of original works by members of the fido-tech KultNET in existence from 1990-1996.

    Der KultNET Sampler Vol.I

  • No Members: Farewell to M. Lerner

    The only release of the short-lived „No Members“ group.

  • Best of…

    A „Best of“ after two years is a strange thing indeed.

    Best of…

  • Digitale Schachtelteufel

    There was an ensemble idea. Had the attempts to form it been successful, it might have sounded like this. The most mature of the early ones.

  • Izahman’s Tale – special edition

    An odd collection of tracks from other albums and alternate versions.

    Izahman’s Tale – special edition

  • Bier & Musik

    Beer. And Music.

  • Izahman’s Tale

    The first Noizetrash-era release

  • The Ceteron Legacy

    Straschill’s first release. Moinlabs‘ first release. Remastered on CD.

    The Ceteron Legacy